「Attributed to Hokyo Mitsukazu (Japanese)」の検索結果

29,191点の浮世絵が見つかりました7,801～7,900点目を表示中
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)による浮世絵「Wisteria: Nokaze of the Matsuzakaya in the Southern Direction (Minami no kata Matsuzakaya uchi Nokaze, fuji), from the series Beauties of the Floating World Compared to Flowers (Ukiyo bijin yosebana)」
春信ボストン美術館
Miki Tangetsuによる浮世絵「Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)」
Miki Tangetsuボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)」
清長シカゴ美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)」
広重ウィスコンシン大学マディソン校
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway」
広重ウィスコンシン大学マディソン校
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「This Shows a Woman Driving Nails into a Tree to Invoke the Death of a Faithless Lover; Illustration of poem by Chunagon Atsutada - Pl. 3 of portfolio of 4 from the Hyaku Nin Shu (One Hundred Poems as explained by the Nurse)」
北斎FAMSF
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「Young Lady with Fan」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「The Courtesan Kisegawa of Matsubaya」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「The New Year Niwaka Festival in the Pleasure Quarters」
長喜メトロポリタン美術館
Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))による浮世絵「Arashi Kitsusaburô II as Kajiwara Heiji」
芦幸メトロポリタン美術館
Gigado Ashiyuki, 芦幸 (Gigadô Ashiyuki (Japanese, active first half of 19th century))による浮世絵「Arashi Rikan II as Miyamoto Musashi」
芦幸メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「Woman and Child Catching Fireflies」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「Scene from the Third Act of Chushingura between Okaru, Kanbei, and Bannai」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「Takao Sange no Den」
長喜メトロポリタン美術館
Utagawa Hiroshige, 歌川広重 (In the Style of Utagawa Hiroshige (Japanese, 1797–1858))による浮世絵「Monkey Bridge at Koshu」
広重メトロポリタン美術館
Utagawa Kunitoshi, 歌川国利 (Utagawa Kunitoshi (Japanese, active 2nd half of 19th century))による浮世絵「View of the Imperial Carriage」
国利メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「End of the Year」
長喜メトロポリタン美術館
Eishosai Choki, 長喜 (Eishôsai Chôki (Japanese, active late 18th–early 19th century))による浮世絵「A Party of Geisha in a Suzumi-bune, i.e. "cooling-off boat." (Second Scene of a Boating Party)」
長喜メトロポリタン美術館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Triumphal Return with Captured Goods (Gaisen shuho mono otomo), and Triumphal Return Bringing Captured Ships (Gaisen shuhosen o tomo ni tsureru), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)」
清親ボストン美術館
Suzuki Harunobu, 鈴木春信 (Suzuki Harunobu)による浮世絵「Parody of the Nô Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll), Edo period, circa 1769-1770 (Meiwa 6-7)」
春信ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Marube no omi Akimaro (Shoku Nihonkôki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Makinoya Naritsura and Gyokushôsha Bunko, Edo period, circa 1821-1822」
岳亭ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Hino no Kumawakamaru from the Record of the Great Peace (Hino no Kumawakamaru: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), Edo period, circa 1821-1822」
岳亭ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Soga brothers (Soga Kyôdai: Soga monogatari), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Hana Someemon and Harunoya Narutake, Edo period, circa 1821-1822」
岳亭ハーバード大学
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Migita Toshihide, 右田年英 (Migita Toshihide)による浮世絵「Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)」
年英ボストン美術館
Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)」
国周ボストン美術館
Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)による浮世絵「At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)」
芳艶ボストン美術館
Migita Toshihide, 右田年英 (Migita Toshihide)による浮世絵「Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)」
年英ボストン美術館
Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)による浮世絵「Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)」
歌麿ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)」
清長シカゴ美術館
Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888」
芳年ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「The Tale of Ono no Takamura from An Official Account of the Montoku Era (Ono no Takamura, Montoku jitsuroku), from the series Twenty-four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren, Honchô nijûshi kô)」
岳亭ボストン美術館
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Filial Son in Shinano (Shinano kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko, Edo period, circa 1821-1822」
岳亭ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Filial Son in Musashi (Musashi no kôshi: Shasekishû), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poems by Chiyodaan Matsutsuru and Kafûtei _ _, Edo period, circa 1821-1822」
岳亭ハーバード大学
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)」
広重ボストン美術館
Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)による浮世絵「The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)」
写楽シカゴ美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]」
清親アメリカ議会図書館
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]」
北斎アメリカ議会図書館
Kôkyoによる浮世絵「"Our Ship, the Sazanami, seized the enemy warship, which was about to sink because of leakage of water. Brave sailors on our ship removed the battle flag at risk of their lives. March 10, 1904."」
Kôkyoボストン美術館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Major General Ôdera Crossing the Sanzu River (Ôdera shôshô Sanzugawa o norikiri), and Triumphal Return: Joy of Parents and Children (Gaisen oyako no yorokobi), from the series Comical Art Exhibit of the Sino-Japanese War (Nissei sensô shôraku gakai)」
清親ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)による浮世絵「The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)」
祐信ウスター美術館
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Unknown, 無款 (null)による浮世絵「[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]」
無款アメリカ議会図書館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Matsuno Yonejiroによる浮世絵「Rikusen dai-ichi Nippon gun dai shori: Teishu nammon-gai ni oite Kurokawa tai-i funsen no zu (Great victory for the First Japanese army in the continental war: The attack of Captain Kurokawa outside the South Gate of Dingzhou)」
Matsuno Yonejiro大英博物館
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Kusunoki Tatewaki Masatsura from the Record of the Great Peace (Kusunoki Masatsura: Taiheiki), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Takenoya Torazumi, Edo period, circa 1821-1822」
岳亭ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Dancing Girl Mimyô from the Mirror of the East (Maime Mimyô: Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchô Circle (Honchôren honchô nijûshikô), with poem by Haginoya Torikane, Edo period, circa 1821-1822」
岳亭ハーバード大学
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)」
清長ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821」
北斎ハーバード大学
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Utagawa Toyokuni I, 歌川豊国 (Original print designed by Utagawa Toyokuni I (Japanese, 1769–1825))による浮世絵「Printer's woodblock」
豊国〈1〉メトロポリタン美術館
Ogata Gekko, 尾形月耕 (Ogata Gekko)による浮世絵「Mouse and Mallet」
尾形月耕Artelino
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô」
広重ボストン美術館
Utagawa Kokunimasa (Ryûa)による浮世絵「May 1, 1904 Our Army Occupied Jiuliyu, Hushan and Jiuliancheng-- It Is Worth Boasting to the World about the Bravery of Our Soldiers (Meiji sanjûshichi nen gogatsu tsuitachi waga gun Kurishima oyobi Kosan narabini Kyûrenjô...)」
Utagawa Kokunimasa (Ryûa)ボストン美術館
Migita Toshihide, 右田年英 (Migita Toshihide)による浮世絵「Captain Higuchi, Battalion Commander of the Sixth Division, While Occupying the Gun Emplacements at Zhaobeizui [in the Battle of Weihaiwei], Saw a Child of the Enemy Lying on the Ground and Came to Its Aid...」
年英ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Yokkaichi: Junction with the Road to the Shrine (Yokkkaichi, Sangûdô oiwake no zu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô」
広重ボストン美術館
Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)による浮世絵「Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824」
北渓ハーバード大学
Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)による浮世絵「Woman Dressing/ It is Favorable to Don New Clothes (Kisohajime yoshi), from the Series for the Hanazono Group (Hanazono bantsuzuki), with poems by Ryûsuitei Sodezumi (from Sendai) and Senryûtei (from Sendai), Edo period, circa 1824」
北渓ハーバード大学