「Suzuki Kason to Attributed」の検索結果

18,443点の浮世絵が見つかりました6,201～6,300点目を表示中
Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô II)による浮世絵「Minamoto Yoshinaka and His Four Retainers Defeat the Tengu in the Deep Mountains of Kiso (Minamoto Yoshinaka Shitennô to tomo ni Kiso no okuyama ni tengu o taiji su)」
春章ボストン美術館
Utagawa Yoshimoriによる浮世絵「Kyoto: Preparing to Go Out (Kyôto, oidetachi), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô)」
Utagawa Yoshimoriボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to See One's Appearance (Sugata o mitai)/Tie-dyed Fabric from Bungo Province (Bungo shiborizome), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Hiratsuka: Scene at an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Utagawa Toyokuni (Hasegawa Toyokuni)による浮世絵「Masao of the Hanabishiya as a Country Girl on a Pilgrimage to Ise (Ise mairi inaka musume), from the series Gion Festival Costume Parade (Gion mikoshi harai nerimono sugata)」
豊国〈1〉ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Hodogaya: Entrance to Shinmachi (Hodogaya, Shinmachi iriguchi), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)」
広重ウィスコンシン大学マディソン校
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「Crossing the Forty-eight Rapids on the Road to Akiba near Kakegawa, no. 27 from the series Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)」
広重ウィスコンシン大学マディソン校
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Three Travelers Presenting Travel Pass to an Official/ Arai (Checkpoint), from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810」
北斎ハーバード大学
Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)による浮世絵「Armor (for the Role of Katô Kiyomasa) on a Chest Belonging to Actor Ichikawa Danjûrô 5th, from the series Scenes Backstage (Gakuga niban tsuzuku), Edo period, early 19th century」
北渓ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Women Hanging Strips of Dried Sea-Ear/The Abalone Shell (Awabi), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)による浮世絵「Arashi Rikan as Kaga no Chiyo in Group 2. No. Mi.Fudanottsuji Bay ( ) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesrikan as Kaga no ChiyoGroup 3. No. Mi. Fudanotsuji Bay from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze seriesGroup 10. No. To. Komagata (Iwai Kumasabuo as Miuraya no Takao) from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze series」
国貞FAMSF
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Kawanabe Kyosai, 河鍋暁斎 (Kawanabe Kyôsai (Gyôsai))による浮世絵「Figures from Ôtsu-e Paintings in a Parody of Narihira's Journey to the East (Ôtsu-e no azuma kudari), from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)」
暁斎ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Kintoki Selling Beans to Demons (top) and Nasu no Yoichi in an Archery Gallery (bottom), from the series A Collection of Warriors for the Amusement of Children (Dôgi musha zukushi)」
広重ボストン美術館
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Man Attempting to Lift the "Tiger Stone" (Tora ga Ishi)/ Ôiso, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tôkaidô (Tôkaidô gojûsantsugi ezukushi), Edo period, 1810」
北斎ハーバード大学
Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro)による浮世絵「Suited to Crepes Stocked by Echigoya (Echigoya shi-ire no chijimi muki), from the series Summer Outfits: Beauties of Today (Natsu isho tosei bijin), Late Edo period, circa 1804-1806」
歌麿ハーバード大学
Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884」
芳年ハーバード大学
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「The Willow Tree of Farewells to Guests at Nihon Embankment in the New Yoshiwara (Shin Yoshiwara Nihon-zutsumi mikaeri no yanagi), from the series Famous Places in Edo (Edo meisho)」
広重ボストン美術館
Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)による浮世絵「Courtesan Hanazuma of the Hyôgoya and Kenbishi Sake by Sakagami (Hyôgoya Hanazuma, Sakagami no Kenbishi), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)」
歌麿ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Ôkura Kôtôによる浮世絵「Captain Higuchi, A Fierce Warrior, Ready to Lay Down His Life for Mercy's Sake at Fort Motianling (Môshô sei o nageutte Higuchi taii Matenrei o jin'ai o sutezu)」
Ôkura Kôtôボストン美術館
Utagawa Hiroshige II, 二歌川広重 (Utagawa Hiroshige II (Shigenobu))による浮世絵「Mount Kusuri on the Road to Zenkô-ji in Shinano Province (Shinshû Zenkô-ji michi Kusuriyama), from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)」
広重〈2〉ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Miki Tangetsuによる浮世絵「Cherry-blossom Viewing Party at Zeshin- Zan Juhô-ji, Sligthly to the North of the East Gate of Shitennô-ji (Shitennô-ji tômon yori sukoshi kita Zeshin-Zan Juhô-ji)」
Miki Tangetsuボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Sagami Province: Enoshima, The Entrance to the Caves (Sagami, Enoshima, Iwaya no kuchi), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujûyoshû meisho zue)」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)」
清長シカゴ美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Seven Ri Ferry, the Entrance to the Atsuta Shrine, and Nezame Village near Miya, no. 42 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)」
広重ウィスコンシン大学マディソン校
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「Scattered Pines along the Tone River on the Road to Narita in Shimosa Province, no. 18 from the series Intermediate Stations on the Tokaido and Views along the Narita Highway」
広重ウィスコンシン大学マディソン校
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Try the Shimada Hairstyle (Shimada ni yutte mitai)/ Octopus from Nagahama in Iyo Province (Iyo Nagahama tako), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Eat Something Good (Oishii mono ga tabetai)/ Giant Butterbur from Akita in Dewa Province (Ushû Akita fuki), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895」
清親ハーバード大学
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895」
清親ハーバード大学
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895」
清親ハーバード大学
Migita Toshihide, 右田年英 (Migita Toshihide)による浮世絵「Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)」
年英ボストン美術館
Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Actors Iwai Hanshirô, Nakamura Kanjaku, Nakamura Jusaburô, Seki Sanjûrô, Bantô Hikosaburô, Nakamura Aozô (?), Kawarazaki Gonnosuke, Nakamura Shikan, Nakamura Tokizô, Ichikawa Sadanji, Bandô Mitsugorô, Onoe Kikugorô, and Sawamura Tosshô (R to L)」
国周ボストン美術館
Ichieisai Yoshitsuya (Ichieisai Yoshitsuya)による浮世絵「At the Battle of Takadachi in Ôshû Province in 1187, a White Dragon Ascends to Heaven from the Koromo River (Bunji sannen Ôshû Takadachi kassen Koromogawa yori hakuryû ten e noboru)」
芳艶ボストン美術館
Migita Toshihide, 右田年英 (Migita Toshihide)による浮世絵「Lieutenant Commander Yamanaka, Chief Gunner of Our Ship Fuji, Fights Fiercely in the Naval Battle at the Entrance to Port Arthur (Ryojunkô no kaisen ni waga Fuji hôjutsuchô Yamanaka shôsa funsen)」
年英ボストン美術館
Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)による浮世絵「Courtesan Shiratsuyu of the Wakanaya and Otokoyama Sake by Momenya (Wakanaya uchi Shiratsuyu, Momenya no Otokoyama), from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses (Natorizake rokkasen)」
歌麿ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Totsuka: Women Soliciting Customers for an Inn, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「A Young Nobleman, His Mother, and Three Servents (Daimyo no okugata, wakatono, wakazamurai to jijyo futari) from the series Beauties of the East as Reflected in Fashions (Fusoku azuma no nishiki)」
清長シカゴ美術館
Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888」
芳年ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」
北斎ハーバード大学
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「During the Visit of Kiyomori to the Nunobiki Waterfall, the Ghost of Akugenda Yoshihira Strikes Down Nanba Jirô (Kiyomori nyûdô Nunobiki no taki yûran Akugenda Yoshihira no rei Nanba Jirô o utsu)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Try It On Right Away (Hayaku kite mitai)/ Fungus from Kumano in Kii Province (Kishû Kumano ?), No. 18 from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Miya: Kagekiyo Going to the Kannon Temple (Kagekiyo Kannon môde), cut from sheet 12 of the harimaze series Pictures of the Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi zue)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Morning Mist at The Fudô Hall in Front of Ôyama (Ôyama mae Fudô, asagiri), cut from sheet 3 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)」
広重ボストン美術館
Toshusai Sharaku, 東洲斎写楽 (Toshusai Sharaku)による浮世絵「The Actors Bando Hikosaburo III as Obiya Choemon, and Iwai Hanshiro IV as Ohan of the Shinanoya (Sandai-me Bando Hikosaburo no Obiya Choemon to Yondai-me Iwai Hanshiro no Shinanoya Ohan)」
写楽シカゴ美術館
Seiko, 静湖 (Kawachi Seiko (河内成幸))による浮世絵「Ima o tobe (Tocho-Ⅰ) 今を翔べ（都庁ーⅠ） (The Flying (Metropolitan Government Office-Ⅰ)) / Tokyo hyakkei niju-isseiki e no messeeji 東京百景 ２１世紀へのメッセージ (One Hundred Views of Tokyo: Message to the 21st Century)」
静湖大英博物館
Sei'u, 伊藤清雨 (Sei'u (伊藤清雨))による浮世絵「Tokyo-to Adachi-ku Hanabatake-cho shozai B-29 mumei senshi no haka 東京都足立区花畑町所在 B-29無名戦死之墓 (Grave of the Unknown Soldiers of the B-29s, Located at Hanabatake-cho, Adachi-ku, Tokyo)」
清雨大英博物館
Utagawa Hiroshige III, 三代目歌川広重 (UTAGAWA Hiroshige III)による浮世絵「From the Famous Places in Modern Tokyo Series: The Crowds at Kinryuzan Temple, Senso-ji Temple on Yonman Rokusen Day (July 9-10, when one visit is considered equivalent to 46,000)」
広重〈3〉江戸東京博物館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」
広重ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Desiring to View the Cherry Blossoms (Hana o goran asobashitai)/Konbu and Nori Seaweeds from Tsushima Province (Tsushima konbu nori), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Ôiso: Travelling Monks, Country Doctor, and Goze Musicians, from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「Triptych: Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895」
清親ハーバード大学
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[A Russian officer and a Japanese officer are standing on a large map, the Japanese officer has pulled up a piece of the map causing the Russian officer to slip and fall]」
清親アメリカ議会図書館
Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]」
清親アメリカ議会図書館
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[Fukurokuju, the god of wisdom, wealth, long life, and happiness, one of the seven lucky gods, facing left, wearing robes and a hat, with a red-crowned crane standing to his right]」
北斎アメリカ議会図書館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Nishikawa Sukenobu, 西川祐信 (Nishikawa Sukenobu)による浮世絵「The Wife of a Prosperous Commoner Out With Her Attendants to view Cherry Blossoms- double-page illustration (sheets 17-18) from volume I of the book Ehon Tokiwa-gusa (Picture Book of Evergreens)」
祐信ウスター美術館
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Unknown, 無款 (null)による浮世絵「[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]」
無款アメリカ議会図書館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Ayabu: Sudden Shower in the Sixth Month (Minazuki no yûdachi), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Tatsu: First Carp Banners in the Fifth Month (Satsuki hatsunobori), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Hiraku: Pine Decorations in the First Month (Mutsumashizuki [=Mutsuki] matsukazari), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Naru: Long Days in the Fourth Month (Uzuki no hinaga), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Itô Seisaiによる浮世絵「Russo Japanese War Report: Our Cavalry Scouts Clashed with 600 Enemy Cavalry Outside Nanmon at Chongju [Jap. Teishu/Ch. Dingzhou] After a Desperate Fight Our Forces Occupied Chongju Putting the Enemy to Flight」
Itô Seisaiボストン美術館
Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)による浮世絵「Wanting to Have a Good Dream (Yoi yume de mo mitai)/ Duck Caught in Nets in Kôzuke Province (Jôshû kasumiami kamo), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)」
国芳ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Thistle Pattern (Moyô no azami): (Actor Kawarazaki Gonjûrô I as) Kagekiyo on the Way to Kiyomizu (Kiyomizu môde no Kagekiyo), from the series Popular Matches for Thirty-six Selected Flowers (Tôsei mitate sanjûroku kasen)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga)による浮世絵「Liking Flatterers and Disliking Virtuous People (Michi o mamoru hito o kirai ware ni hetsurou tomo o ai suru koto), from the series A Treasury of Admonitions to Young Ladies (Jijo hôkun onna Imagawa)」
清長ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Toru: Making Rice Dumplings in the Twelfth Month (Gokugetsu no mochitsuki), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Nozoku: Cleaning the Well in the Seventh Month (Fumizuki no idogae), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))による浮世絵「Taira: Cherry-blossom Viewing in the Third Month (Yayoi no hanami), from the series Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section (Reki chûdan tsukushi, Ise goyomi mitate jûni choku)」
国貞ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Kawasaki: Horse Drivers Waiting for Riders (Umakata norite o matsu), from the series Pictorial Guide to the Fifty-three Stations of the Tôkaidô: Customs of the Road (Tôkaidô gojûsan tsugi saiken zue, dôchû fûzoku)」
広重ボストン美術館
Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「No. 48, Seki: Junction of the Side Road to the Shrine (Seki, Sangûdô oiwake), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô」
広重ボストン美術館
Mizuno Toshikata, 水野年方 (Mizuno Toshikata)による浮世絵「Triptych: Harada Jûkichi was the First to Climb Up the Genbu Gate and Bravely Attack the Chinese Displaying Military Honor (Genbumon kôgeki zuiichi genkôsha Harada Jûkichi shi sentô funsen zu), Meiji period, dated 1894」
年方ハーバード大学
Yashima Gakutei, 屋島岳亭 (Yashima Gakutei)による浮世絵「Poet Kakinomoto no Hitomaro Preparing to Inscribe Poem Card (Shikishi): Japanese Court Poetry (Waka), from the series Four Styles of Poetry for the Master Character 'No' (Nonoji-ô shiika renpai), Edo period, circa 1817」
岳亭ハーバード大学
Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821」
北斎ハーバード大学
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」
Mizuno KumejiroMAK
Ogata Gekko, 尾形月耕 (Ogata Gekko)による浮世絵「Mouse and Mallet」
尾形月耕Artelino