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14,503点の浮世絵が見つかりました2,201～2,300点目を表示中

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Courtesan Takao with a poem by Kanke, no. 24 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)」

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Spirit of Kuzunoha the Fox with a poem by Chunagon Kanesuke , no. 27 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)」

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Madwoman of Mii Temple with a poem by Ki no Tomonori, no. 33 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)」

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The Girl Hatsu with a poem by Koshikibu no Naishi, no. 60 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)」

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)による浮世絵「The courtesan Komon with a poem by Sakyodayu Michimasa, no. 63 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)」

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)による浮世絵「Iwai Kumasabuo as Miuraya no Takao in Group 10. No. To. Komagata from the series The Flowers of Edo Matched with Famous Places (Edo no hana meisho awase), from a collaborative harimaze series」

Torii Kiyoshige, 鳥居清重 (Torii Kiyoshige)による浮世絵「Somekawa Koz?shi and Ichikawa Danj?r? II as a Merchant Trying to Seduce a Young Girl」

Teisai Hokuba, 蹄斎北馬 (Teisai Hokuba)による浮世絵「Takenchino Sukame, Urashima Taro, and Miurano Osuke (?) Feeding Wine to Turtles」

Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha, from」

芳年原書房

Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount inoha, from Shinkei sanjurokkaisen (The new forms of the thirty-six ghosts), 1890」

芳年原書房

Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha, from」

芳年原書房

Unknown, 無款 (null)による浮世絵「, Edo Period, 15 vols. complete, original covers, original title slip except vol. 3, very good to good impressions, some minor wormholes」

無款原書房

Unknown, 無款 (null)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha, from」

無款原書房

Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha), from」

芳年原書房

Tsukioka Yoshitoshi, 月岡芳年 (YOSHITOSHI)による浮世絵「Gamo Sadahide's servant, Toki Motosada, hurling a demon king to the ground at Mount Inoha), from」

芳年原書房

Kitao Masanobuによる浮世絵「Contemporary Famous Happenings (Kinsei kisekikô) in 5 volumes, with designs by Kita Busei (1776-1856), Late Edo period, dated to the 1st year of the Bunka Era (1804)」

Kitao Masanobu ハーバード大学

Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)による浮世絵「Returning Geese (Kigan), Vol. 1, Early Edo period, mid to late 17th century」

師宣ハーバード大学

Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)による浮世絵「Returning Geese (Kigan), Vol. 2, Early Edo period, mid to late 17th century」

師宣ハーバード大学

Hishikawa Moronobu, 菱川師宣 (Hishikawa Moronobu)による浮世絵「Returning Geese (Kigan), Vol. 3, Early Edo period, mid to late 17th century」

師宣ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Strolling: the Appearance of an Upper-Class Wife of the Meiji Era (Sanpogashitasô Meiji nenkan saikun no fûzoku), from the series Thirty-Two Aspects of Women, Meiji period, datable to 1888」

芳年ハーバード大学

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)による浮世絵「River Scene with Figures in Boats, Late Edo period, early to mid 19th century」

国貞ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884」

芳年ハーバード大学

Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893」

国周ハーバード大学

Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893」

国周ハーバード大学

Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)による浮世絵「Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900」

周延ハーバード大学

Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Triptych: Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893」

国周ハーバード大学

Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)による浮世絵「Ghost of Sogo's Wife (Sogo no tsuma no tamashii), Meiji period, dated to 1893」

国周ハーバード大学

Toyohara Chikanobu, 豊原周延 (Toyohara Chikanobu)による浮世絵「Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata), Meiji period, datable to September 1, 1900」

周延ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Warriors Illustrated: China and Japan (Wakan ehon sakigake), Late Edo period, dated to the 1st month of the 7th year of Tempô (1836)」

北斎ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Sagami Jirô and Taira no Masakado, from the series Yoshitoshi's Incomparable Warriors (Yoshitoshi mushaburui), Meiji period, datable to 1883」

芳年ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Tamagawa River in Hagi (Hagi no Tamagawa), from the series Six Tama Rivers (Roku Tamagawa no uchi), Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Tawaraya Sôriによる浮世絵「Three Women Performing Early Morning Chores (in the Year of the Dragon, 1796), Late Edo period, dated to Kansei 8 (1796)」

Tawaraya Sôri ハーバード大学

Katsukawa Shunsho, 勝川春章 (Katsukawa Shunshô)による浮世絵「Actor Arashi Sangorô with Rice Bales, Edo period, circa mid to late 18th century」

春章ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Two Women Making Rice Candy at New Years/The Board Roof Shell (Itayagai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Making Bamboo Curtains/The Bamboo Blind Shell (Sudaregai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Boys Playing Sugoroku/The Pink Shell (Nadeshikogai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「View of Enoshima (First Work on the First Day of the Year of the Goat, 1799), Edo period, dated to 1799 (Kansei 11)」

北斎ハーバード大学

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada)による浮世絵「Actor Ichikawa Danjûrô 7th as Goemon in Pillar-Grasping (Hashira-maki) Pose, Edo period, circa 1830-1835 (early to mid Tenpô era)」

国貞ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Fuji Basin Scene/The Pure Red Shell (Masuogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), with poems by Kajuan Fukumaro and Shûchôdo Monoyama, Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Women Hanging Strips of Dried Sea-Ear/The Abalone Shell (Awabi), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Court Ladies with Caged Pheasant/The Univalve Shell (Katatsugai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Hand Mirror and Hair Ornaments/The Color Shell (Irogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Artist's Possessions/The White Shell (Shiragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Recycling Paper/The Fulling Block Shell (Kinutagai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Scented Pillow, Pickled Eggplant Box and Takarabune Print/The Pillow Shell (Makuragai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Women Picnicing by the Tama River/The Short-Necked Clam Shell (Asarigai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Singing-Frog Cage and Screen/The Dry-Shallows Shell (Minasegai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Ferry Boat and Capital Birds on the Sumida River/The Capital Shell (Miyakogai), from the series Shell-Matching Game with Genroku Poets (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Isoda Koryusai, 磯田湖龍齋 (Isoda Koryûsai)による浮世絵「Daikoku Conjuring Rats from His Pipe Smoke, Edo period, circa mid to late 18th century」

龍齋ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Comparing Modern Women (Tôsei bijin awase), Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Fashionable Weaving Mill (Fûryû shokuden zu), Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Seventh Month, from the series Annual Events of the Twelve Months (Fûryû nenjû gyôji), Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya..., Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Torii Kiyomasu (Torii Kiyomasu)による浮世絵「Actor Ichikawa Danjûrô 2nd as a Komuso, Mid Edo period, datable to 1730」

清倍〈1〉ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Woman Seated in Front of a Sliding Door, Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Women's Fans of the Modern Style (Imayô onna ôgi), Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Torii Kiyonobu II, 鳥居清信 (Torii Kiyonobu II)による浮世絵「Actors Ichimura Uzaemon 8th and Sawamura Sôjûrô 1st in the play the Soga Brothers' Revenge, Edo period, datable to 1730」

清信〈2〉ハーバード大学

Torii Kiyomasu (Torii Kiyomasu)による浮世絵「Actors Ichikawa Danjûrô 2nd, Sanjô Kantarô and an Unidentified Actor in a Brawl, Edo period, datable to 1720」

清倍〈1〉ハーバード大学

Torii Kiyomasu (Torii Kiyomasu)による浮世絵「Actor Ichikawa Danjûrô 2nd Dancing in the Aragoto Style, Mid Edo period, datable to 1720」

清倍〈1〉ハーバード大学

Torii Kiyomasu (Torii Kiyomasu)による浮世絵「Actors Ichikawa Monnosuke 1st and Iwai Hanshirô 3rd In Front of a Theater, Edo period, datable to 1720」

清倍〈1〉ハーバード大学

Torii Kiyonobu (Torii Kiyonobu)による浮世絵「Actor HAYAKAWA HASSE AS A COURTESAN SEATED ON THE TRUNK OF A CHERRY TREE, Mid Edo period, datable to 1710」

清信〈1〉ハーバード大学

Ryuryukyo Shinsai, 柳々居辰斎 (Ryûryûkyo Shinsai)による浮世絵「Moon Goddess Chang'e, Rabbit Making New Year's Cake and a Geisha Playing Shamisen, second from the series Year of the Rabbit Handle Stories (Usagidoshi totte banashi ni), with poems by Tô Shôon, Kokuhaku Sekimen and Shinra Banshô, Edo period, possibly 1819」

柳々居辰斎ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Triptych: Okuko Hikozaemon Protects the Tokugawa Shogun from the Spear of Goro Matabei Mototsugu, from the series "The Siege of Osaka" (Osaka Gunki no Uchi), Meiji period, datable to 1884」

芳年ハーバード大学

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi)による浮世絵「Triptych: Actor Ichikawa Danjûrô 9th as Benkei in the Play "Kanjinchô", Meiji period, datable to 1890」

芳年ハーバード大学

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「Cranes on the Seashore/The Reed Shell (Ashigai), from the series "Shell-Matching Game with Genroku Poets" (Genroku kasen kai-awase), Edo period, datable to 1821」

北斎ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Two Standing Ladies with a Plant, Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)による浮世絵「Woman at Toilette in Front of Black Chest of Drawers, Late Edo period, circa early to mid 19th century」

英山ハーバード大学

Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)による浮世絵「April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo」

周延ホノルル美術館

Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)による浮世絵「April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo」

周延ホノルル美術館

Toyohara Chikanobu, 豊原周延 (Hashimoto Chikanobu)による浮世絵「April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo」

周延ホノルル美術館

Toyohara Chikanobu, 豊原周延 (Chikanobu Yoshu (1838-1912) Toyohara (楊洲周延))による浮世絵「The Emperor, Empress, Crown Prince and court ladies on an outing to Asuka Park」

Unknown, 無款 (null)による浮世絵「[Warrior, full-length, facing left, with bow drawn, about to shoot an arrow, includes several types of targets]」

無款アメリカ議会図書館

Unknown, 無款 (null)による浮世絵「[Warrior, full-length, facing left, with bow drawn, about to shoot an arrow at a target]」

無款アメリカ議会図書館

Unknown, 無款 (null)による浮世絵「[Man wearing a sokutai, a long ceremonial robe, offering branches to a fire]」

無款アメリカ議会図書館

Unknown, 無款 (null)による浮世絵「[Man wearing ceremonial costume, carrying a long staff (possibly a small tree trunk sprouting a branch with leaves) and a fan made of feathers; appears to have wings that terminate in sharp points]」

無款アメリカ議会図書館

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[Chinese Emperor(?) and Empress(?) seated on raised platform with musicians seated in front of them; the Emperor appears to have lost his nose and part of his right shoulder, the Empress part of her scalp]」

清親アメリカ議会図書館

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[Humorous picture showing Chinese religious practices (Raijin, the Japanese God of Thunder, ranting to a crowd of Chinese Buddhist worshippers)]」

清親アメリカ議会図書館

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[A Russian officer and a Japanese officer are standing on a large map, the Japanese officer has pulled up a piece of the map causing the Russian officer to slip and fall]」

清親アメリカ議会図書館

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[A Russian woman is having a nightmare showing disasterous defeats of the Russian army and navy on all fronts in the war against Japan; she is being attended to by a doctor who is taking her pulse, two maids, and a member of the clergy, possibly a bishop]」

清親アメリカ議会図書館

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)による浮世絵「[Russian soldier on horseback, carrying a sword in right hand, a spear in left hand, and a rifle mounted on his chest with a string extending from the trigger to his mouth]」

清親アメリカ議会図書館

Kurokiによる浮世絵「May 1904 Japan seconds army preoccupation Furanten, China, and is picture to breaking the iron bridge every place」

Kuroki アメリカ議会図書館

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[Hotei, the god of good fortune, one of the seven lucky gods, seated, facing front, next to his bottomless bag of goods on which a small child is sitting and who appears to be cleaning Hotei's left ear]」

北斎アメリカ議会図書館

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[A man, wearing a large conical hat and a straw or feather garment, attempting to turn on end a barrel-like object, possibly a mochi tub; on the ground next to him is long-handled mallet]」

北斎アメリカ議会図書館

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[Two men, one on his hands and knees crawling, the other is sitting on the first man's back, facing forward, holding a paddle over his head, about to strike the man on his exposed buttocks]」

北斎アメリカ議会図書館

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[A man and a woman, seen from behind, are looking to where the man is pointing with his left arm, he holds a closed parasol in his right hand; the woman has her hands on her face, it is unclear whether she is peering into the distance or crying]」

北斎アメリカ議会図書館

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)による浮世絵「[A woman, possibly a courtesan, seated, facing right, with her head turned to look back over her right shoulder, wearing several hairpins]」

北斎アメリカ議会図書館

Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」

Mizuno Kumejiro MAK

Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」

Mizuno Kumejiro MAK

Mizuno Kumejiroによる浮世絵「Kawasaki Iseo, spy of the cavalry, crosses alone in the evening of the 3rd august the Taidong River, observes enemy movements and while taking a boat from the enemy returning composedly to his camp」

Mizuno Kumejiro MAK

Utagawa Sadahide, 歌川貞秀 (Gountei Sadahide (Japanese, 1807–1873))による浮世絵「Two Views: Waterfront at Kaigan-chô, 3-chome and 4-chome, and the Entrance to the Gankirô Tea House」

貞秀メトロポリタン美術館

Torii Kiyomasu I, 鳥居清倍 (Torii Kiyomasu I (Japanese, active 1696–1716))による浮世絵「An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder」

清倍〈1〉メトロポリタン美術館

Torii Kiyonaga, 鳥居清長 (Torii Kiyonaga (Japanese, 1742–1815))による浮世絵「Gyoku-kashi Eimo, a Girl of Nine Years, making One Thousand Writings to Present to Asakusa Dera」

清長メトロポリタン美術館

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」

広重ボストン美術館

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)による浮世絵「Dam on the Otonashi River at Ôji, Popularly Known as "The Great Waterfall" (Ôji Otonashigawa entai, sezoku Ôtaki to tonau), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)」

広重ボストン美術館

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)による浮世絵「Picture of the Lower Class (Gebon no zu), from the series Three Ranks of Young Women According to Their Fashion (Fûzoku sandan musume)」

歌麿ボストン美術館