Un'ichi Hiratsukaによる浮世絵「Sukiya Bridge (Sukiyabashi)」
作品名：Sukiya Bridge (Sukiyabashi)
制作年：1945
詳細：詳細情報...
情報源：ウスター美術館
浮世絵（全 3,039 件）を表示...
説明：
The Citizenry seems on the whole to have been rather pleased with the rebuilding.... Everything had become so cheerful, all that white concrete replacing all that dark plaster and those even darker tiles Sukiya Bridge, west of Ginza, with the new Asahi Shimbun building reflected in its dark waters like a big ship, and the Nichigeki, the Japan Theater, like a bullring, was the place where all the mobo and moga, the modern boys and girls... wanted to have their pictures taken. (Edward Seidensticker, Tokyo Rising) In this sunny depiction of the reconstructed area in the heart of downtown Tokyo, Hiratsuka reflects the then-prevailing attitude of the Tokyo citizenry. The gleaming white Sukiya Bridge (Sukiyabashi) and the modern architecture of the buildings clustered around it provided the-perfect background for snapshots of young people who identified with the modern and were hardly mourning the fading of the past. More than color, Hiratsuka's expressive block-carving technique-cutting away the wood with irregular strokes that move in various directions across the picture surface-enlivens this architectural view with the suggestion of transient sunlight. One can see that Hiratsuka was more excited by the structure given his design by the black lines of the key block than in the subsequent color blocks. In the years that followed, he turned increasingly to creating powerful surface patterns through his cutting of the block and to printing solely in black-and-white.
